Ebook American Music: A Panorama, by Daniel Kingman, Lorenzo F. Candelaria
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American Music: A Panorama, by Daniel Kingman, Lorenzo F. Candelaria
Ebook American Music: A Panorama, by Daniel Kingman, Lorenzo F. Candelaria
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This best-selling survey text describes American music as a collection of distinct strains of music--including popular, folk, sacred, classical, blues, jazz, and rock music - that have evolved into a musical panorama reflecting the nation's unique character. By comparing and contrasting America's musical styles across regions and time periods, Kingman delivers a clear vision of American music that encompasses the historical sources of all American music, the ways in which diverse styles have influenced each other, and the cultural contributions of America's innovative and original composers.
- Sales Rank: #5830457 in Books
- Published on: 2003-02
- Original language: English
- Dimensions: 5.50" h x 4.75" w x 1.00" l,
- Binding: Audio CD
Review
"Kingman's AMERICAN MUSIC serves my needs on several points . . . The non-chronological approach is what initially attracted me . . . it has specific chapters that deal directly with genres or traditions and allow me to select readings as I cover materials. . . . The five chapters on the American fine art tradition read as a coherent whole and provide a good overview of 19th- and 20th-century serious music in America."
"The writing style is friendly, engaging . . . . Because of its tone, coverage, and CDs, I would use this text again - absolutely."
"Carefully researched and freshly considered . . . the coverage is good. Kingman presents a vast spectrum of American music, but not so much as to dilute the book. His chapters provide depth, but not excessive depth (with) several excellent chapters. I was especially pleased with the chapter on country music and . . . parts dealing with the 19th century. I like how (Kingman) keeps in mind the actual performance setting - who the audience was for a particular kind of music - and doesn't just consider the music as an absolute in isolation from social factors."
"I selected this text over several others on the market because it offers a detailed cultural approach to the study of American music and downplays the standard music appreciation approach. I also enjoy the fact that the material is organized by musical culture or style rather than strictly chronologically. This gives me the chance to play contemporary examples for the class early in the semester and throughout the remainder of the course, which keeps the material from seeming too distant from students own experience."
"Couldn't do without the CDs! It's very helpful to have such a diverse collection of examples already available."
About the Author
Daniel Kingman is an American composer and Professor Emeritus, California State University, Sacramento.
Lorenzo Candelaria (Bachelor of Music, Oberlin College, 1995; Ph.D., Yale University, 2001) is an award-winning teacher and author at The University of Texas at El Paso. He is the recipient of prestigious fellowships from the Fulbright Program and the National Endowment for the Humanities and was presented with the Robert M. Stevenson Award by the American Musicological Society for his book THE ROSARY CANTORAL (2008).
Most helpful customer reviews
8 of 8 people found the following review helpful.
Good Survey of American Music
By James M. Haddon
I teach a course in United States music history at the high school level, and this college text is a good stretch for my students. It is clearly written, well organized, and provides great points for departure in my lectures. The accompanying CD set, though not perfect, is a convenient way to bring in examples and allows for some independent study. Music history teachers can augment the examples with their current CD holdings.
The text surveys "American" music, not just music of the United States, although that is in the majority. The distinction of American versus U.S makes for a good discussion point throughout the semester. We do not take the chapters in order (we begin with music of the early European settlers), and the book lends itself to that flexibility.
Although there may be better texts for specific music history topics, (i.e., Jazz or contemporary "serious" music) this is an excellent survey text for the advanced high schooler or college music history survey course. Term paper suggestions, questions for additional research and bibliography are included at the end of each chapter.
3 of 3 people found the following review helpful.
The CD's were not included
By Kathryn
I ordered this book for my college class, and thought it had the CDs. It doesn't. I spent a lot of money for being "just" the book.
4 of 6 people found the following review helpful.
Uneven in its weight to genres of music
By Tobin Sparfeld
This is a concise edition of Daniel Kingman's previous book of the same title. I know of it having been used as a high school textbook on American Music.
Kingman's book begins with a great introduction of some of the various ethnic/folk musics of the American musical tradition: Anglo-American, African-American, American Indian, and Latino backgrounds. Part Two looks at music which germinated from the South-Country, Blues, and Rock. Other sections examine popular sacred music, secular music, jazz, a substantial section on classical music, and a small epilogue on other regional styles.
This text is good because it is not too difficult to read and interesting overall. Kingman does a good job of introducing the music and providing useful descriptions of each style.
His bibliographies at the end of each chapter are fantastic, and he also provides many useful project ideas which would work great for high school/college classes alike
Unfortunately, there are a host of problems. First, the section on jazz is too short (30 pages), as well as those on rock (25 pages) and musical theater (20 pages). Kingman also neglects to put each movement in its proper historical context. This does not seem to be an important goal for him.
Many courses teach either American Popular Music or American Art/Classical music, not both. There are better texts out there which are more specific. For a survey course on all American music, this can work, but will certainly need to be supplemented with primary source materials and information on jazz, rock, Broadway, and other areas.
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