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A Guide to Drawing, 6th Edition, by Daniel M. Mendelowitz, Duane A. Wakeham, David L. Faber
PDF Ebook A Guide to Drawing, 6th Edition, by Daniel M. Mendelowitz, Duane A. Wakeham, David L. Faber
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One of the most respected and widely used books in its field, A GUIDE TO DRAWING is a classic, comprehensive, and systematic introduction to the art of drawing, focusing on the mastery of traditional skills as the basis for expressive drawing.
- Sales Rank: #227764 in Books
- Brand: Brand: Cengage Learning
- Published on: 2003-02-04
- Original language: English
- Number of items: 1
- Dimensions: .69" h x 8.00" w x 9.80" l,
- Binding: Paperback
- 384 pages
- Used Book in Good Condition
Review
"The three greatest strengths of A GUIDE TO DRAWING are its attitude that drawing is a significant activity that is necessary to understanding the world both visually and conceptually, its clarity in explaining the complex issue of perspective, and its ability to communicate the reasons (historical, cultural, pragmatic or personal) why various drawing strategies exist. A fourth strength is the chapter-related drawing exercises that help to clarify--through drawing--the content of each chapter."
"A GUIDE TO DRAWING is the most comprehensive drawing text that I have seen. The content covers many subtle issues of drawing techniques, materials and attitudes that are helpful for the beginning and advanced students as well as mature artists."
About the Author
David L. Faber is an American master printmaker and Professor of Art and Head of Printmaking at Wake Forest University where he has taught since 1984. He is the lead-author of A GUIDE TO DRAWING. Faber has had 22 solo exhibitions of his work since 1976 and has exhibited in numerous group and invitational exhibitions since 1974. He has lectured and worked as a guest artist in Canada, England, Germany, Italy, and South America. Some of his most notable works include: the Aberdeen Headlands series of chine colle monotypes; the Holstein Poetry-Catenary Curve series of intaglio prints; Saint Anna of Silos and Air; the Germans in Brazil series of lithographs produced in Sao Paulo, Brazil at Ymagos Atelier; the Red Holstein Factor series of plaster-cast intaglio prints; and the Piano Sheaves series of intaglio prints. Among Faber's most practiced printmaking techniques are intaglio, lithography, monotype, and plaster-cast intaglio prints. He specializes in drypoint, engraving, mezzotint, and etching techniques. His prints are held in the permanent collections of The Corcoran Gallery of Art, Washington, DC, The National Gallery of Art, Washington, DC, The Metropolitan Museum of Art, New York, The San Francisco Museum of Modern Art, The National Art Museum of the Ukraine in Kiev, The U.S. State Department, Washington, DC, and The American Bar Association, Chicago.
Most helpful customer reviews
61 of 65 people found the following review helpful.
Top rate drawing text
By M. Theberge
I have two older versions of this book which was a required college text for a course a friend of mine taught. This is a thorough and up-to-date volume on the elements of drawing: line, shape, texture, value, gesture, shape, form, etc. What I like best about it is that it is illustrated with a wide array excellent contemporary and historical master drawings that make great examples when teaching a particular concept. I only wish it came with a companion volume of large prints or slides for teaching.
I have many books on drawing but this has the best visuals. Much better than many other drawing books are illustrated with only the author's drawings or perhaps a few Renaissance sketches and focus on only one small expect of good art: rendering representationally. This book brings gets to the heart of what makes good drawing is designed for professionals teaching at the college level but would probably make a good home study course for those without access to college courses.
I also liked the sequential exercises given and have used or adapted some for my own students. Covers a wide array of media from charcoal to pencil to pen and ink and colored pencil.
18 of 18 people found the following review helpful.
Get the 1967 edition
By T. W.
The 1967 edition of this book is a very well-made book in cloth covers. It's that edition I've used, and it's so good that I wouldn't be tempted to look at the more recent editions. I think you'd be hard pressed to find another treatment as thorough & insightful of the history, styles, and materials of master drawings from the 15th-20th centuries. Now, for all the book's copious information about the techniques with which artists have made drawings, I should make it clear that it does not address any explicit lessons or suggestions to the aspiring artist. As a textbook, it is equally or more suitable to a course in art history and appreciation than to one in studio art. That said, of course, a book of sensitivity and depth about the art of drawing will be more useful and stimulating to most aspiring artists than yet another how-to.
26 of 29 people found the following review helpful.
Horrible Quality
By KS
I agree with the previous review which explains the horrible quality of this textbook. While I am not evaluating the content, I must say I have used it three times and the binding has completely fallen apart. For such an expensive item, this is absolutely unacceptable. I am in the process of contacting Thomson Wadsworth to complain about the issue. I am also asking my instructor to adopt another textbook and to file a complaint with the publisher. I tried to find a hardback copy of this item but could not. If you need to have a sturdy, solid textbook this is NOT for you. I am completely disgusted.
**UPDATE**
After using the textbook for a week, I must say that overall the content of the text is outstanding. As a beginning art student, the text is very accessible and logically arranged. The illustrations are helpful, although almost all are just black and white, and the important terms and concepts are easily noted. However, the binding has COMPLETELY fallen apart; several of my classmates have complained of this as well. Shame on the publishers for such low quality standards...
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